previous reviews here.
In the Loop (2009) – british comedy satirizing the run-up to the iraq war. verbose, profane and completely fucking hysterical. if you like politics, satires or british humor, go see this NOW. i haven’t seen this kind of lyrical comedy since…. i’m not sure. possibly ever. 4.1 stars.
(500) Days of Summer (2009) – zooey deschanel plays ambiguous relationship games with joseph gordon levitt yet somehow i didn’t want to punch her in the face by the end. maybe because she’s zooey deschanel? funny at parts, but never hilarious. always kind of cute, but never in a chick flick way. this movie had a great style, and i don’t just mean the clothes. there was at least one scene that had the kind of subtle power that makes this in instant recommend. 4 stars.
Thirst (2009) – park chan wook film. he made OldBoy and the other Vengeance films. i love this guy but he’s been on a slide ever since his Cannes breakthrough, OldBoy. the guy that made Thirst is a completely different person than the one that made Mr. Vengeance. that being said, this isn’t a bad film, just not as affecting or powerful. it’s about a good-hearted priest who volunteers for an extremely risky medical experiment and gets turned into a vampire in the process. as a vampire his eyes are opened to the world of physical pleasures that he’s been denying himself, but he struggles to remain good. and that’s pretty much the nugget of this film: the empowering feeling of giving in to pleasure, and the consequences that follow. there are no old school vampires dressed in rock star outfits, riding in limousines flaunting their everlasting youth. it’s not that kind of vampire flick. just a story about two different people in a fucked up situation. 3.5 stars.
Tyson (2008) – documentary of mike tyson, starring mike tyson saying some outrageous things, that only mike tyson could say. it’s almost all talking-head type documentary, which is usually a little boring to me, but what saves this film is mike tyson being himself. the credits list tyson as one of the executive producers, and some of the shots seem staged, but that still doesn’t take away from what’s on camera. a deeply conflicted, possibly crazy human being that once sat on top of the world. 3 stars.
Phoebe in Wonderland (2008) – elle fanning, dakota’s sister, is a mentally troubled schoolgirl who finds refuge in a school production of Alice in Wonderland. i never read nor saw any version of Alice in Wonderland so i’m sure a lot of the symbolism just went over my head. still, i thought this was a great and imaginative film, superbly acted by elle fanning, all good signs, until the end. seeing the ending i recognize that there really wasn’t any other way to go. i just wish it were more, because the film was gearing up for something better until that point. 2.5 stars.
The Station Agent (2003) – indie film about a reclusive dwarf whose best friend died and willed him a small, decrepit, out-of-service, train stop. at the train stop he meets the locals and makes some friends. yay. this is a decent indie film, and has been pretty heavily celebrated since its release a few years ago, but i have to say…. huh? this is what all the hype was about? it’s not as simple as i made it sound. …. but it nearly is. 3 stars.
Gran Torino (2008) – previous thoughts here. the short version: it kinda sucked. 2 stars.
Robot Chicken: Star Wars (2007) – if you’ve never seen Robot Chicken, you’re a retard. if you have, way to go, buddy. this thing is short. like 20 minutes short. but it had some pretty hilarious parody skits making fun of Star Wars. “but i’m ambidextrous!” heeheheheheheheheheheheheeheh *sigh* 4 stars.
Away From Her (2006) – actress Sarah Polley directed this deeply affecting drama about a woman who starts to get alzheimers and how her husband is dealing with this new reality-bending situation. i think it’s kind of nightmarish to think of the possibility of losing my memory. i got sucked into this movie and thought about that for a while. her husband’s grace in the face of this absolute no-win situation was heartbreaking. 4 stars.
Manda Bala (2007) – “send a bullet” documentary about the pervasiveness of crime and corruption in Brazil. this films focuses on several different people, each representing a different side of the crime war in Sao Paulo. the reality of how strong crime is there is smothering. as a film, though, it’s kinda lacking. some interviewees never gave me the impression that they weren’t just mugging for the camera and i found that distracting. 2.5 stars.
The Curious Case of Benjamin Button (2008) – this gets points for being epic. there aren’t enough of those these days. but i wonder if this was unnecessarily epic, because i felt every second of its 2:46 run time. while being technically pretty, the film was only mildly interesting and made me wonder what all those Academy voters were thinking when they nominated this. 3 stars. (girls will like it more since brad pitt does indeed look very hunky towards the end riding his motorcycle in what has to be some kind of Ralph Lauren ad.)
Boy A (2007) – british indie film about a seemingly nice and simple young man recently released from prison for some kind of heinous crime. i won’t spoil the surprise. his nice and normal new life is thrown around when his past starts to catch up with him. can’t say too much without spoiling the movie. decent indie film with a likeable central character in a hard situation. this film has a decent heart without losing its grip on reality. 3 stars.
Funny People (2009) – judd apatow’s latest, and possibly his best, even though it’s the least funny of his films. many people will disagree with me on that, including me, depending on the mood. adam sandler is a gajillionaire comedian who finds out he has a terminal illness, but wants to keep it a secret. he befriends seth rogen, a struggling stand up comic/deli clerk, and together they ride unicorns. right away the subject matter is darker than your usual buddy comedy since it revolves around Sandler’s terminal prognosis. the fact that it’s able to inject any humor at all is a miracle, and it does. it’s still quite funny. but there’s real drama here, expertly acted by sandler, as he deals with his death and his life up to that point. (about halfway through, there’s a turning point in the film that changes the tone. some people seem to have a problem with this. i’ve even heard some reviewers calling this a schizophrenic film. this is one time i can confidently say they just didn’t fucking get it. it all fits.) in the end, Apatow succeeded, again, in introducing drama elements where there were none. somehow he did it even when the subject matter is death and morality. 4 stars.
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